The dillinger escape plan - calculating infinity The velvet underground - white light, white heatīright calm blue - a direct approach for casual conversation The blood brothers - march on, electric children The blood brothers - burn piano island, burn Ornette coleman - the shape of jazz to comeīroken social scene - you forgot it in people In December 2008, Albarn and Coxon said publicly that they had eliminated all the differences that they had had before and that Blur were going to give a couple of concerts in July 2009 in their original lineup.My user name is opiv and the full albums i have shared are: Meanwhile, Coxon continued recording his own stuff and did not seem willing to come back to Blur. The participants of the bands stated often that Coxon was about to return and that the musicians were thinking over the making of the new album. After that, Blur delivered news rarely and were musically inactive. Critics praised this work and named it one of the year’s best efforts. Guitar parts were remarkably simplified, which was compensated with the application of other instruments. Blur’s next album, entitled Think Tank, was executed without Coxon.
The mass media spread massive speculations about the upcoming collapse of the whole group. In the meantime, Coxon was getting more and more focused on his own project paying less attention to Blur. As if finishing one more chapter in their biography, they released a collection of their most notable songs from that period, Blur: The Best Of (2000). The musician made it clear that they wanted to play something different.
This album marked an inevitable breakup with Britpop. In a year, Blur prepared another full-length record, 13. In 1998, Cocxon founded his own label and released a solo album. The USA public was especially happy with the smashing radio-hit Song 2. One could easily recognize a strong influence of the American alternative stage, which granted the new product a warm welcome on the other cost of the Atlantic Ocean. It was much heavier and more energetic than its predecessors. The follow-up album was named Blur and prepared in Iceland. That was The Great Escape, a record to borrow the best features of Parklife, yet to offer a more mature and eclectic material. Equally good at playing live and working hard in the studio, Blur issued their subsequent album as soon as in 1995. Press once again paid close attention to the beginning band as even more people came to see what they were on the stage. Blur decided to make guitars the core of their music and play with focus on the art of established British groups, particularly Madness, and The Beatles. Basically, this studio work became one of the first notable and influential records in the history of Britpop. In a year, they presented their new long player, Parklife, a cornerstone in the group’s career. When the promotional tour for the 1993 release came to an end, the Blur members knew they had to try something new.
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